I've blogged about Andrew O'Neill before: firstly in ‘Genderpunk’, and then as part of ‘In vision (3)’. This time it's to recommend his two-part show on Radio Four about gender and sexuality, which is currently up online here. The first episode (broadcast on December 16th) has “15 days left to listen” (at time of writing), so don't wait too long before checking it out if you're going to. Maybe he or someone will bang it up on YouTube later, or maybe they won't; who knows.
In episode one, “comedian and transvestite Andrew O'Neill gives his thoughts on gender identity”; in episode two, “comedian Andrew O'Neill delves into sexual identity and homophobia”. Yes, it's comedy – or more exactly, serious topics addressed via the medium of comedy, with a few random instances thrown in of being silly (which never hurts).
The first episode was the most pertinent to me (and this blog). It's primarily about transvestism (aka pharmacist baffling) with Andrew talking/joking about language, definitions, difference, dysphoria, gender expectations, repression, secrecy, finding yourself, fear of rejection, coming out, finding a way to be yourself, and so forth. Since my way to be myself is similar to his – though far less “brazen” – a lot of what Andrew says about himself goes for me too. So I smiled and chuckled and laughed out loud when what he said was "funny because it's true"; or was funny because obliquely true, as he approached a topic from an unexpected angle; or was just funny.
Sorry, no quotes here to make you laugh. Comedy routines are best heard afresh, rather than second-hand, or after being read. And it may well be copyrighted anyway. So you must go and listen to it yourself if you want to. As another recommendation, Grayson Perry tweeted: “great prog Andrew, hilarious and not just because I recognised every single experience! Well done!” And, yes, it is all Eddie Izzard's fault.
A couple of things did jar with me a little, though, as an engaged and critical listener (i.e. as another transvestite):
Andrew seems to be rather down on our “female persona” siblings. Maybe that's a false impression caused by lack of time, in trying to get as many points across as meaningfully (and as funnily) as possible. You can hardly convey the countless nuances of transvestite (never mind trans) identities in a half-hour comedy slot. All the same, I'd argue that cross-dressing in a "female" way, trying to create a female appearance, is not necessarily sexually motivated, nor the manifestation of immature ideas of femininity. It may indicate a bigender – or, indeed, binary transgender – identity for a start; but often it's more an accommodation than anything else. The urge to present as a feminine woman, rather than a man in a dress, can't be so easily dismissed; and while it may require some complicity, that's not the same as (self-)deception. Moreover, femininity has more cultural – and hence more personal – resonance when presented in female form, which makes it more effective expressed like that, especially if it's by necessity occasional.
In the second show, I noticed an inconsistency – between “transvestites are no more likely to be gay than the rest of the population” (i.e. might be gay) and, later, “the sexuality of transvestism is an overdriven heterosexuality” (i.e. not the slightest bit gay). The second of those made me shake my head: “No, not my sexuality.” But it's always difficult, when talking largely about your own experience, not to extrapolate and generalize from that. So I'll let this one go and just scribble a note in the margin: “#NotAllTransvestites”.